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ANDREAS McMULLER

 

Atelier: via P.Pasolini, 8
42023 Cadelbosco di Sopra (RE) Italy
Telephone 24/7: +39 (0) 522 152 0003
Mail: fill in the form in the Contacts

 

Note: the atelier is not yet open to the public, register for the Newsletter
to stay informed about news, and to be invited to presentations of new works and meetings between artists, fans, admirers and collectors.

Logo-per-Sito-art-photographerc-smusso
TALIANO: Active
ENGLISH: WORK IN PROGRESS
Forgive the Google translation, indeed help me:
buy some ArtWorks  and I'll give you a professional translation.

MATERIALS, TECHNICAL SPECIFICATIONS, ORDER, PURCHASE, SHIPMENT

MUSEUM

The result of research and experimentation for years, the type of the framework of "Museum" is characterized by exclusive materials and craftsmanship: the photo is printed in a workshop in italy where the craftsmen are working (not speaking), with the white gloves and the base material is a paper which represents the election of the Fine Art, the exceptional (and expensive) cotton paper Hahnemühle Photo Rag Satin 310, coupled to a PVC Light 2cm; the peculiarity of this cotton paper is that it absorbs a lot of ink and allows you to get a black incredibly deep, perfect for black and white.

This print is then mounted in a stylish frame made from black painted wood and protected by glass and museum Optium Museum or its equivalent acrylic Acrilyc Optium Museum from 3 or 4.5 mm, which is anti-scratch, anti-glare 98,4% (look at the Art, not the reflections), anti-static 99% (not dusts) and antiUltraVioletti 99% (the work is not ruined with the passage of time). This type of construction has received the name "Museum" because it is the one actually used in the museums: the Optium Museum protects, among others, the Picasso "Dora Maar" of the Metropolitan Museum of New York, and "the man of The chock" of the Leonardo da Vinci of the National Institute for Graphics in Rome.

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In the photo: "Thoughts" and "Sinusa" exhibited at the Venice Art Expo International 2018: you can easily notice that the frame reflects the window light in front ....and the glass museum no.

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CANVAS

by definition, the Canvas would be a fabric. Used by painters for centuries, by extension now means the picture is printed on canvas and framed on wood.
In our case, we use only canvas, first-quality, non-toxic and odorless, high ink absorption, framed by hand with fine wood.
This type of framework is extremely versatile and elegant and is suitable for general use, but makes it a particularly intriguing images in black-and-white (like the mighty "wuthering heights"), portraits and landscapes.
Can be framed or hung as is.
 
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CANVAS ANTIQUE
the Canvas is antique is a product that is unique and valuable, characterized by the cracks that in a short time you create on the surface of the canvas, making the print very similar to the paintings of the period. Difficult to achieve and therefore very exclusive, both for quality and for the mere cost of construction, the canvas is antique is hand-assembled on a frame which is in turn antiqued and finished at the sides with paper from the package, as they used to do to protect one from the other, the frame and the edge of the painting.
 
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PVC Light, Dibond, TopSec

PVC Light (2cm) and Dibond (2mm) are rigid supports are lightweight and low/very low thickness, on which is made to adhere the photo print-real, glossy or matte.
Lightweight (especially PVC), and then also apply on plasterboard walls, they are suitable for images contrasted black-and-white or brightly colored which give the saturation and depth. Both like the frame but is not mandatory.
The topsec instead is a sandwich construction in which the print is inserted between an aluminum base and a protective acrylic that enhances the colour and contrast, all to the advantage of the more detailed pictures and colored.

LITHOGRAPHS

The lithograph itself is a printing system in which the original matrix were made of stone, but has evolved and greatly spread because suitable for reproduction of valuable existing works, so much so that today, despite those that may have been the origins of this technique, you tend to generalize and define lithographs many types of reproduction of artistic works. In our case the name is used improperly, given that it is digital printing, or matrix on high quality paper from Fedrigoni, usually watercolor or filler, based on the work reproduced. Requires a conice suitable. The end result is however, what we wanted: a print of high quality and considerable elegance. The Lithographs of McMuller have only two sizes, and possible prices, depending on the size of your original shot: with long side of 100 cm or 70.
The image fills approximately 60 to 70% of Lithography.
H-CallaRosa70x100VPp8cm
AMagicaPuglia70x100oPP8cm
iBoscoInquieto70x100oPP8cm
M-MoonLigth70x100VPp8cmCYMK
CLaVItaVinceSempreFiorano55x70oPP6cm
CERTIFICATO DI AUTENCITA' E NUMERAZIONE
tutti i quadri e le stampe di Andreas McMuller, che siano in libera vendita o apparteneneti a serie limitate, sono accompagnati dal proprio Certificato di Autenticità, Numerazione e Garanzia, successivamente citato come "Certificato". 
Il Certificato è realizzato in carta pregiata, è specifico per il quadro acquistato, è intestato al cliente che l'ha richiesto e, se il quadro fa parte di una serie (solitamente è così), è numerato. E' anche sempre autografato dall'Autore. 
Ciò conferisce al quadro stesso il valore aggiuntivo che esso merita in quanto opera d'arte, realizzata dalla maestria dell'Artista ed assemblato da esperti artigiani (o dall'artista stesso). Per i quadri di riferimento, e quindi di elevato valore, al Certificato emesso dall'Artista viene abbinato quello dello stampatore e la quotazione certificata della Casa d'Aste che ne ha decretato il valore piuttosto che la certificazione terza di proprietà materiale ed intellettuale e quella di autenticità. 
 
DIRITTO DI SEGUITO
è previsto, (con l'ovvio limite della cessazione dell'attività) il servizio non gratuito di rinnovo del certificato: fatto salvo il Diritto di Seguito, in caso di rivendita dell'opera Andreas McMuller rimane disponibile a sostituire il Certificato riportante i dati del vecchio proprietario con un nuovo Certificato, compilato coi dati del nuovo proprietario ed a validare così il passaggio di proprietà dell'opera. 
 
GARANZIA
come per ogni opera acquistata on-line, anche gli acquirenti dei quadri qui venduti beneficiano delle garanzie previste dalle leggi vigenti, con particolare riferimento al "Codice del Consumo", D,Lgs 6 Settembre 2005, n. 206.  E' quindi prevista la sostituzione del bene qualora esso presenti difetti di fabbricazione entro due anni dall'acquisto, che siano stati comunicati entro due mesi dalla loro scoperta (questa clausola si applica a tutte le stampe, ma non alle opere realizzate a mano come quadri ad olio, acquarelli, tempere, etc., per le quali vale la regola "vista e piaciuta"). E' inoltre previsto dalla legge e quindi dalle condizioni di vendita del presente sito che il cliente abbia facoltà di recesso senza spese entro 24 ore dall'acquisto ed entro 8 giorni dal ricevimento del bene, ma in questo caso la rispedizione al venditore è a carico ed esclusiva responsabilità del cliente: il rimborso della cifra da lui pagata sarà quindi completa solo se l'opera ci arriverà integra, mentre verranno addebitati al cliente i costi del ripristino dei danni, se l'opera ci arriva danneggiata. Anche per questa ragione è importante che il cliente controlli attentamente lintegrità della scatola con la quale riceve il quadro e che non lo ritiri se esso presenta manomissioni o danni. 
PROCESS OF PURCHASE AND SHIPPING
A McMuller can be purchased in two ways:
1 - through the form of e-commerce;
1 - via the contact form or by writing to mcmuller@shibusa.art the client communicates to the artist the intention of buying one specific painting, the artist sends an order confirmation via PayPal, the customer makes the payment of the work of the balance or a deposit of 50% of the work (if it only gives you a deposit then pay for the purchase when the picture is ready for shipping), then you start the normal procedure of production including the following communications to the customer: -deposit received -framework printed (with photos) -the framework is completed (with photos) -the balance of the received and the frame sent out (with picture and tracking number).
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SEALS AND CONTROLS UPON ARRIVAL OF THE PICTURE
FON-DA-MEN-TA-LE (!!): couriers usually work under strong pressure and the messenger who will deliver the box containing your picture will be as fast as possible, you have the right and duty to stop him just enough to check what you receive.
In particular, compare the packaging with the picture that the artist has sent you; verify the integrity of the box and of the seals of warranty that we place in the corners, above the locking screws are of card stock, well glued, and it is not possible to open the box without damaging it; the lower side is glued, and it is not possible to open the box without that you see: then look at it.
If you to place, remove, hang your picture and enjoy it (usually it will be). If it is not in place, if the box is dented or if the seals are different from those in the photos postage is not remove or write on the receipt of the courier "Accepted subject to the alleged tampering" or "Accepted with reserve for damaged box" depending on the problem that you have encountered. Always remember that, if you put it signature on the courier's receipt, without reserve, declared that everything is in place and assume the burden of any problem.
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